In fact, it's like no other digital audio workstation (DAW). SoundBlade's unique workflow is optimzed for the purpose of mastering, restoring and editing audio. SoundBlade systems are used by the world's top mastering engineers everyday.

New Sonic Studio SoundBlade LE 2-Channel Mastering Workstation Mac Software Scitscat Music is an Authorized Dealer for all software products we sell. Sonic Options Installers/AllAccessOptionsInstaller2.2.pkg 2.1 Installing All Access HD Options Launching the ‘AllAccessOptionsInstaller2.2.pkg’ guides you through a standard set of installation dialog boxes. The Installer places the necessary files to enable your soundBlade options and installs the necessary option software.

Digital Audio Workstation SoundBlade is a general purpose production tool, designed to record, edit, process, restore and deliver audio on CD, DDP or as AIFF, WAV or BWF files for further processing. SoundBlade is particularly well suited to handle the difficult tasks of mastering. Feature List:.

Play/Records 8 channel digital audio to 192k. Real time multimode gain adjustment and editing. Real time bounce/external processing. Supports AU + VST plug-ins. 10x Red Book–compliant CD-R burning. 12x CD and freeze/render to disk.

Sonic Studio Soundblade Le 2.2 2-ch. Mastering Workstation For Mac 10

Background SRC. Proprietary shaped TPDF redithering. Seamless workflow with Model 300 Audio Interface. Fallout 4 nexus. Core Audio I/O, including Pro Tools.

Sonic Studio Soundblade Le 2.2 2-ch. Mastering Workstation For Mac Pro

• Digital Audio Workstation SoundBlade is a general purpose production tool, designed to record, edit, process, restore and deliver audio on CD, DDP or as AIFF, WAV or BWF files for further processing.
• SonicStudio soundBlade HD v2.0.2 Mac OSX-K 150 MB unpacked. A Benchmark Digital Audio Workstation For Mastering, Restoration, Recording & Mixing.

©2006-2017 Sonic Studio, LLC — All rights reservedThis manual, as well as the software described in it, is furnished under license and may only be used or copied in accordance with the terms of such license. The information in this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Sonic Studio, LLC.

Sonic Studio, LLC assumes no responsibility or liability for any errors or inaccuracies that may appear in this document.Except as permitted by such license, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Sonic Studio, LLC.SONIC STUDIO, LLC MAKES NO WARRANTIES, EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THE APPLE SOFTWARE. SONIC STUDIO, LLC DOES NOT WARRANT, GUARANTEE, OR MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SONIC STUDIO, LLC SOFTWARE IN TERMS OF ITS CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS, OR OTHERWISE. THE ENTIRE RISK AS TO THE RESULTS AND PERFORMANCE OF THE SONIC STUDIO SOFTWARE IS ASSUMED BY YOU. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES.

THE ABOVE EXCLUSION MAY NOT APPLY TO YOU.IN NO EVENT WILL SONIC STUDIO, LLC, ITS DIRECTORS, OFFICERS, EMPLOYEES, OR AGENTS BE LIABLE TO YOU FOR ANY CONSEQUENTIAL, INCIDENTAL, OR INDIRECT DAMAGES (INCLUDING DAMAGES FOR LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OR INABILITY TO USE THE SONIC STUDIO SOFTWARE EVEN IF SONIC STUDIO HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. BECAUSE SOME STATES DO NOT ALLOW THE EXCLUSION OR LIMITATION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES, THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU.Sonic Studio, soundBlade LE, soundBlade SE, soundBlade HD, Sonic Studio Engine (SSE), NoNOISE II, Manual DeClick II, DeClick, DeCrackle, A Type, B Type, C Type, D Type, E Type Broadband DeNoise II and the Sonic Studio logo are trademarks of Sonic Studio, LLC.

All other company or product names are either trademarks or registered trademarks of their respective owners.Chapter 11 and Quartet DynPEQ PDF contents Copyright © 2007-2014 by Wholegrain Digital Systems LLC. All rights reserved.All features and specifications described within chapter 11 of this manual are subject to change. Wholegrain Digital Systems LLC makes no warranty of any kind regarding the accuracy, correctness, or sufficiency of the information in this document.

However, we will make every reasonable effort to keep the document accurate, correct, and sufficient in response to your feedback.DynPEQ, Quartet DynPEQ, Trio DynPEQ and the binary spike device are trademarks of Wholegrain Digital Systems LLC. SoundBlade is a trademark of Sonic Studio, LLC. StudioCare Support Program —Why Do You Need studioCare?:Sometimes things don’t quite go as expected – usually with a deadline looming! Sonic Studio’s studioCare program gives you fast access to highly skilled and experienced engineers with a passion for audio as well as the capability to provide a solution.

StudioCare compliments the 30-day tech support that’s included with your software, extending and enhancing the value your product with high-priority response to your software and hardware questions. From the casual home studio to the largest corporate facility, you can count on studioCare to keep you ahead of the curve.What Is studioCare?:studioCare is Sonic Studio LLC’s professional priority support program. Walgreens humidifier w889-wgn manual. Designed with your needs in mind, it’s like having a technician on call, reducing downtime by prioritizing your incoming support requests.

Chapter 1IntroductionThis soundBlade User Manual is targeted at both Sonic Studio’s soundBlade SE and soundBlade HD software. Unless specified, the term ‘soundBlade’ is used for both ‘soundBlade SE’ and ‘soundBlade HD’. Features that are specific only to soundBlade HD will be noted.soundBlade is an easy to operate yet surprisingly feature–rich general purpose application tool for audio production on your Mac.

SoundBlade is ideal for:. Editing, sequencing and delivering your material for a variety of distribution formats. Composing and manipulating your material while adding AU and many VST based plug–ins to perform EQ, dynamic processing and other effects. Restoring compromised audio to a marketable state with our NoNOISE options. Premastering, CDTEXT, ISRC and creating a reliable replication master for a CD title.

Preparing Gold Master files for Electronic Music Delivery (EMD)soundBlade runs on any Intel Apple Macintosh with 10.6.8 or newer, including laptops, making it highly portable. The optional Series 300 DSP I/O Processors are high fidelity, FireWire–attached audio interfaces and signal processors and are an excellent fit for soundBlade. So, you can take your studio with you, whenever and wherever needed.This manual is designed to give detailed descriptions of the features in both soundBlade SE and soundBlade HD.Notes OverviewThese notes add more information or reinforce concepts about a particular topic or subject.Learn OverviewThe learn notes are meant to provide ‘how to’ or specifics about a topic or subject.Learn soundBlade 2.3 adds these features:- Add ISRC to Broadcast Wave (BWF) files on Export- New Project Manager.app.

Chapter 2Quick Start2.1Before You Begin2.1.1RequirementsAt a minimum, soundBlade requires the following:. Apple Macintosh Intel 2.6 GHz minimum or faster preferred.

1024 x 768 pixel or larger display. 4 GB RAM minimum, 8 GB or more preferred. Mac OS 10.6.8 or newer.

spare USB port for iLok Smart Key. Optional Series 300 DSP I/O Processor or other FireWire, USB or Thunderbolt Core Audio interfaceFor delivery of the final DPP files for replication, a data storage device, such as a CD-R, DVD-R or data tape drive, is required as well.

Since soundBlade uses OS X’s Core Audio for device management, the quality of audio playback will be entirely dependent on the hardware and driver(s) used.Note About Using USB Devices: Direct connection of a USB audio converter should be usable with soundBlade. Unlike FireWire however, USB does not provide an isochronous or time–critical data delivery mode. So, USB–attached products for external audio I/O are not recommended for either hard drives or audio interfaces when used in any pro audio production environment. Chapter 4Advanced Editing4.1Fade Tool Options4.1.1Changing Fade ParameterssoundBlade offers a simple and intuitive tool for changing a fade’s gain characteristics: the Fade Tool.

In the previous chapter, we have seen how to use this to perform simple operations. The Fade Tool offers additional possibilities to alter fades according to your needs and preferences.The Fade Tool is enabled by default. By holding the control key and typing A, you can quickly disable or enable the Fade Tool. Alternately, you can force the Fade Tool off by default. In the EDL tab of the Windows Preferences window, the Fade Tool check box keeps the Fade Tool enabled until you choose to disable it manually.When moving the cursor over a fade with the Fade Tool enabled, the default cursor changes into the Fade Tool and the selected fade turns either green for an Fade In, red for an Fade Out or both.

Depending on cursor location relative to the fade, the Fade Tool modifies the start, end, length or position of the fade. See section 3.9.1 for basic information about the Fade Tool.If you zoom in on a Fade so that more than about 10% of the waveform display is occupied by the fade, you will see the thin blue vertical line that represents the edit event and a diagonal line or “curve” that represents the gain law or change in amplitude dictated by the fade.

Situated in the middle of the diagonal curve and attached to that line is a square “bead,” the Control Point for the fade curve.Figure 4.1: Anatomy of a FadeFigure 4.1 above shows the major parts of a Fade and the various contextual shapes that the cursor assumes based on location. Note the Control Point and edit event, discussed in upcoming sections.On the left, the #1 cursor is set for an “inboard” duration change. Placing the cursor at that location and click–dragging will increase or decrease the duration of the fade without changing the edit event location or gain law. This is the preferred handle to use when changing duration.Next is the #2 cursor shape, displayed when the cursor is set to change the overall location of the fade. Placing the cursor in that location and click–dragging will re–locate the fade, “sliding it” earlier or later on the time line without changing the duration, edit event or gain law. Remember that you cannot move a fade past the head or tail of the underlying audio.In position #3, the cursor is set for a duration change “toward the outside” of the Fade.

Placing the cursor in that location and click–dragging will increase or decrease the duration of the fade without changing the overall location or gain law. These “outboard” handles do effect the location of the edit event, so it’s recommended that you not use the outboard handle, employing the inboard handle instead as mentioned above. Section 4.1.4 below discusses edit events as they relate to controlling fade parameters.4.1.2Changing the shape of the FadeBy clicking the Control Point “bead,” shown in Figure 4.1, and dragging it up or down, you can adjust the rate of change setting for the fade. Specifically, for all fade types except exponential, moving the Control Point adjusts the “dB down” while, for an exponential fade, the Control Point adjusts the “Alpha” or shape.